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Amanda Foster writes from a design-first perspective. Her background in creative writing shapes how she approaches both games and iGaming platforms, with close attention paid to pacing, presentation, and how systems guide player behavior.
After entering digital media through independent criticism, Amanda built a reputation for thoughtful analysis of large-scale interactive systems. Her early work focused on how open-world structure, environmental cues, and narrative framing influence engagement. That same analytical approach now underpins her iGaming coverage, where she evaluates how casino platforms use layout, feedback, and game flow to shape player experience.
At Gaming America, Amanda contributes casino reviews and feature content that examine online gambling platforms beyond surface-level offerings. Her work looks at how roulette variants are presented, how interface design affects betting confidence, and how visual and structural choices influence decision-making. Rather than isolating individual features, she considers how each element fits into a broader experience.
Amanda’s familiarity with roulette comes from extensive hands-on testing across live dealer and digital formats. She evaluates wheel types, table layouts, betting options, and pacing, paying particular attention to how clearly rules and odds are communicated. This allows her to assess not just what a casino offers, but how intuitively it delivers it.
Expertise
Amanda’s expertise sits at the intersection of design analysis and player usability. Within iGaming, she applies narrative and structural critique to casino platforms, assessing how visual hierarchy, interaction flow, and feedback systems support or undermine clarity.
Her roulette-focused analysis emphasizes transparency and feel. By examining layout decisions, bet presentation, and table dynamics, she helps readers understand which platforms make the game approachable without obscuring risk or complexity. This perspective supports players who value clear design as much as game selection.
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